visual manuscript and storyboard

After I have made a few corrections I got the final and approved drawing, that is going to be the white board film.
Each little part of the big drawing has its own number that refers to the line of text from the manuscript. The match up between text and image is essential for the timing once the film is shot, and the numbers from 1 to 54 lays down the path of the camera movement.
Next step after approved visual manuscript: The director Pierre Follett Beckmann fra Bulldog and Partners, puts together a story board in order to get the 9:16 framing right, and find better and smarter ways for the camera to move across the drawing as it is being drawn step by step.
The day we shot the film we used a projector in order to get the drawing accurate, which is pretty important 'cause the final drawing is going to form the shape of the KAB company logo.